Mette ingvartsen wikipedia

While we, the audience, enter the space of 69 positions, a 2014 production of Mette Ingvartsen, Mette herself is already there to welcome us. The space is surrounded by a structure on which museum-like panels and monitors host images and traces of performances of the 1960’s — from Richard Schechner to Yayoi Kusama — that have played a crucial role in challenging sexuality, politics of the body and social structure. After guiding the audience to it, Mette tells the story of a first object: a letter of Carolee Schneemann, responding to Mette, suggesting that she should to suggest her to not try to re-stage Meat Joy with the original dancers. Meat Joy was made in 1964 by Carolee Schneemann and involved eight, partially nude dancers who moved and played with various objects. While discussing this refusal, Mette starts to embody fragments of it, suddenly shifting away from the notion of the

Mette ingvartsen wikipedia shqip

Mette ingvartsen wikipedia indonesia

Mette ingvartsen wikipedia english